I've often heard writers discussing new work and saying 'i saw that coming' or 'i didn't see that coming' in reference to narrative. They attribute considerable significance to this element of surprise in the story, in fact it seems to make or break their enjoyment of the work.
Until now this always baffled me a bit.
I have an 'all round' experience of performing, acting, directing, devising, management and technical support as well as writing (in theatre and some film). I can relate to and enjoy so many different elements of a production that the predictability or unpredictability of the story is not so imperative to my enjoyment. If the storyline is not very dynamic I tend to find there's a different emphasis, it will be visual or physical or technical or experimental, and i will enjoy these features.
However, now I have specialised i must assume a writer's perspective, and it has been brought to my attention that a greater element of surprise is required in my own writing.
So, i'm keeping a beady eye out for and having a real think about surprising work.
Last night I saw 'Dead of Night' by Imprint Theatre Company ; a ventriloquist dummy (actually an actress performing the dummy) who appeared from a chest that had been located on the stage for the duration of the performance was a delicious surprise. The actress had been inside the chest for over an hour before she emerged. The fact that the dummy was eerily convincing was very engaging, and the fact that part way through the story the dummy actually began to speak for itself was yet another fresh, surprising offering.
Another great example can be found in Laurence Timm's 'Chinnery' the first five chapters of which can be found here . Have a read and you'll see what happens in chapter five. What i particularly like about this element of surprise is that suddenly we're presented with an entirely new mode of exposition. We're also introduced to lots of new things in this chapter in a wonderfully economic way, a new 'underground' environment, an organisation behind the scenes, a new character (the other voice in the transcript) and we see the story from another perspective. All very stimulating and exciting and unexpected.
I'm going to have to dig deeper to search out more subtle story surprises, the ones that the writer's say they didn't see coming. A story that springs to mind is Jim Cartwright's 'Two' where the loss of the Publican and his Wife's Son in a car accident is revealed, the juxtaposition of the horror of this incident set against the colourful backdrop of pub life. Could i see that coming though? It's certainly clear that something is coming, there are allusions leading up to the climax.
Something for me to continue thinking about and exploring.


